
Greetings,
To read or view a recitation of a poetic gift written by Jordan Baylon, scroll down this page.
Learn more about the talented web of collaborators and supporters who made SHED possible, click the button for biographies and view the drop down menu for credits.
SHED CREDITS
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Pam Tzeng
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Duet
FOONYAP
Pam TzengSolos
Cindy Ansah
Cory Beaver
Kara Bullock
Alèn Martel
Mpoe Mogale -
Costume Design
Pam Tzeng
Alison Yanota
Sound Design
FOONYAP
Jiajia Li
NUM
Darren YoungMusic Mastering
Krzysztof SujataSodium Light Design
Nicolas Brunet-BeaulieuLighting Design and Technical Direction
Jono KimLighting Assistant and Stage Manager
Andie LloydDuet Rehearsal Director
Linnea SwanExhibition Text
Jordan Baylon -
Project Management
Pam Tzeng
Bianca Guimarães de ManuelSocial Media Coordination
Kris Vanessa Teo Xin-En / 张欣恩Publicity
Aldona Barutowicz -
Premiere
Co-produced by Dancers’ Studio West Artist in Residence Program (2019-2022) and The New Gallery 2022 Main Space Program. Moh’kìnst’sis / Calgary
Mile Zero Dance
2022 Dance Crush Series
amiskwacîwâskahikan / EdmontonPlastic Orchid Factory
2022 adaptives series
Vancouver -
Canada Council for the Arts
Calgary Arts Development
Alberta Foundation for the Arts
Calgary Animated Objects Society -
Melissa Avila, Loretta D’Antuono, Sylvie Moquin and Jamie Tognazzini for their contributions to the initial research of this project.
Thomas Geddes, Katie Green, Sasha Ivanochko, Ashley King, Ping Tzeng, Michael Vincent Tan, Xstine Cook and AZMA Digital for their invaluable support.
The Old Trouts Puppet Workshop, Theatre Encounter, Inside Out Theatre, and The Grand YYC for offering affordable spaces for SHED to be created in.
If you’d like to share any reflections or impressions of SHED, please leave an e-note.
SHED
A poetic gift written and recited by Jordan Baylon
Jordan Baylon (they/she/he) is a second generation PilipinX artist, critic and community worker imagining justice and abundance for equity-deserving peoples within the spaces of all our relations: personal, communal and societal. As an artist, Jordan’s work gnaws at the intersection of queer identity, race, colonialism, food, ritual and the deep dark places that represent our possibilities for pleasure and liberation. The subject position of this work explores queer and racialized identities as liminal spaces: both and neither; between, across and through; both inside and outside; and both literal and imagined. Jordan is also proud to serve as General Director of Chromatic Theatre.